Bethany Pitts

Bethany recently directed Joe Orton's LOOT at the Queen's Theatre, Hornchurch, and FAUSTUS: THAT DAMNED WOMAN at Arts Ed; and co-runs the Brighton-based new writing theatre company, Play On Theatre

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Bethany Pitts is an award winning director and dramaturg, specialising in new work with a focus on female driven stories and revisions of classical texts.

She trained on the National Theatre Studio Directors Course and as the Resident Assistant Director at Theatre Royal Plymouth and Theatre 503. She received an Arts Council DYCP grant in 2020 to upscale her practice, which led to developing an adaptation of Mrs Dalloway by Virginia Woolf with the writer Maud Dromgoole under the mentorship of Katie Mitchell. She is currently on the Old Vic Mentoring Scheme for Mid Career Directors where her mentor is Richard Jones.

This year she directed a mid scale revival of Loot by Joe Orton at Queen's Theatre Hornchurch. Previous notable credits include the Fringe First winning Spine by Clara Brennan (Soho Theatre / Francesca Moody Productions); the cross form Fuck You Pay Me by Joana Nastari (Edinburgh / Bunker Theatre) described by Elle Magazine as ‘taking the world by storm’ and the triple Offie Nominated UK premiere of A Funny Thing Happened by Halley Feiffer (Finborough theatre).

She also co-runs the Brighton based theatre company Play On Theatre, who currently have three new plays in development with Brighton Dome.  She is passionate about working with artists and writers from the very early stage of an idea through to full production, often working as dramaturg as well as director. She also regularly works at top drama schools, including Arts Ed and East 15, where she is dedicated to providing empowering and rigorous professional practice to actors in training.

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Represented by Gabrielle Dawes

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"Bethany Pitts' production is highly engaging...".
WhatsOnStage; The Misandrist, Arcola Theatre (2023)
"Bethany Pitts directs with flair and resourcefulness,... she sets up a determined pace that's unceasingly entertaining and visually engaging".
Broadway World; The Misandrist, Arcola Theatre (2023)
★★★★ "All given a breakneck pace by director Bethany Pitts, who balances the punchy nature of the quickfire segments with more tentative building of connection as Nick and Rachel slowly explore their boundaries".
The Reviews Hub.; The Misandrist, Arcola Theatre (2023)
"...superb acting in Bethany Pitts' simple but clear and classy staging... [it] achieves a sort of fluid musicality".
WhatsOnStage; The Beach House, Park Theatre (2023)
"Beautifully directed by Bethany Pitts...".
The Guardian; Juniper and Jules, Soho Theatre (2022)
★★★★ "[A] ribald and funny examination of love and attraction."
The Stage; Juniper and Jules, Soho Theatre (2019)
★★★★ "A sharply observant comedy-drama."
Attitude; Juniper and Jules, Soho Theatre (2019)
‍★★★★★ "Director Bethany Pitts lets the play breathe, the rhythm is as perfect as the waves we hear on the shore, and the design is a triumph." (Critic's Choice 2021)
British Theatre Guide; Sirens, Mercury Theatre (2021)
★★★★★ "From a production standpoint, the show is a marvel of anarchic energy and high camp design. Masterfully directed by Bethany Pitts and beautifully designed by Naomi Kuyck-Cohen, the show combines poetry, direct address, audience participation, and set-pieces – both surreal and enchanting – to truly immersive effect."
Everything Theatre; Fuck You Pay Me, Bunker Theatre (2019)
‍★★★★ "The beats and rhythms of Bethany Pitts’s production are very appealing."
Fiona Mountford, Evening Standard; A Funny Thing Happened, Finborough Theatre (2018)
‍★★★★ "Directed with an eye for the humour found in moments of bleakness by Bethany Pitts."
The Independent; Brutal Cessation, Theatre503 (2017)
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