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NAOMI GRAY

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About NAOMI
Naomi began her career in 2005, appearing in BBC1’s A Most Mysterious Murder and made her feature debut that same year in Feast of the Goat, an adaptation of Mario Vargas Llosa’s acclaimed novel. 
 
Naomi has trained in Mask, Clowning, Puppetry, Improvisation, Physical theatre, and Stage combat. She is passionate about connecting with audiences through creative visual communication and has worked as a BSL interpreter for a number of leading UK theatre companies including the Royal Court Theatre, Shakespeare’s Globe and Hammersmith Lyric as well as providing them with BSL Support and Consultancy.  
 
A likeable and animated presence on stage, her most recent performances are: Snow White in Mirror Mirror (Red Earth Theatre, UK Tour 2018/19), Sam Neill in The Sam NeillExperience: a Dance Musical(Camden Fringe 2018), Sinead in History of Ireland(Moxie Brawl, Brighton Fringe 2019), and Horrible Histories: The Dreadful Deaf(UK tour 2019, Birmingham Stage Company & Deafinitely Theatre)
Reviews
★★★★ "Their interactions are slick as they whisk us through the last few thousand years of deaf history, from the ridiculous restrictions and rules imposed upon deaf people in Ancient Greece, all the way up to deaf soldiers during World War One." A Younger Theatre

★★★★ "...the three performers Fifi Garfield, Naomi Gray and Nadeem Islam (two deaf and one a BSL/English Interpreter) bring charm and a great deal of versatility to their roles." WhatsOnStage

★★★½ "with Naomi Gray, a colourful and spirited presence on the fringe of every scene as Birdie, cleverly combining signing with participation in the action." ​The Reviews Hub

"Both [Clare-Louise English and Naomi Gray] were superb in their depiction of various characters, ranging from innocent Snow White and the wicked Queen, to bossy dwarves and comical cooks." The Limping Chicken

★★★½ "Clare-Louise English and Naomi Gray play their respective array of characters with great physicality, warmth, and humour. The chemistry between Gray’s exaggerated and eccentric Mirror and English’s cold and callous Evil Queen is a particular highlight." The Reviews Hub
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Funding recieved from the Fore RAFT fund

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  • WELCOME
  • AGENCY
    • PERFORMERS
    • CREATIVES
    • NEWS
    • TPE TV
    • REPRESENTATION
  • PRODUCTION
    • CURRENT
    • PAST >
      • ELEPHANT'S GRAVEYARD >
        • EG Feedback
      • SAVING THE MAN
      • TRIP
      • ELEPHANT
      • CRY HAVOC
      • LUCY LIGHT
      • PEOPLE WHO NEED PEOPLE
      • EMMA
      • LADY ANNA
      • EMILY SUFFRAGETTE
      • ORIGINS
      • PHOENIX RISING
      • SIKES & NANCY
      • BOMBER'S MOON
    • MENTORING
    • PANTOMIME >
      • Panto 2020 Questionnaire
      • ALADDIN 2019
      • BEAUTY & THE BEAST
      • JACK & THE BEANSTALK
      • ALADDIN
      • CINDERELLA
    • WORKSHOPS >
      • THE LIGHTHOUSE
      • TOILERS OF THE SEA
    • READINGS >
      • SAVING THE MAN
      • ADMISSIONS
      • DON'T EVEN JOKE
      • NADYA
      • PIG
      • SCREWED
      • VOLTAIRE'S LOVE
      • WAX
      • LONG WALK BACK
    • OTHER SERVICES
    • INVESTMENT
  • INFO
    • ABOUT US
    • MEET THE TEAM
    • HOW TO FIND US
    • JOBS & CASTING
    • POLICIES
    • DONATIONS
  • SEARCH